Beschreibung

This book examines racial impersonations - i.e., blackface - in modern American film, fiction, poetry, painting, photography, and journalism. Gubar shows how the white popular imagination has evolved through a series of oppositional identities that are dependent on the idea of black others. She draws from an extensive range of illustrative work, with examples from high and low culture, from turn-of-the century to present day.

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