Over the past 40 years, Jacques Rancires work has defined itself through a remarkable set of philosophical differences in relation to other key figures working in the fields of politics, philosophy and aesthetics. There have been significant philosophical, theoretical and aesthetic disagreements with influential figures in contemporary thought, including Althusser, Bourdieu, Derrida, Agamben, Deleuze, Foucault, Habermas and Badiou. Through these differences Rancire has emerged as one of the worlds leading contemporary theorists. Whilst Rancire has long been a well-known force in francophone contexts, the translation of his works into English has generated a lot of excitement and catapulted him to the forefront of attention in several putatively distinct but interconnected fields: philosophy, politics, critical theory, aesthetics and film. Reading Rancire intervenes in this ongoing discourse by assembling an eminent collection of critical assessments of the significance of Rancires diverse impact and growing influence. This book offers the first sustained and critically balanced response to the work of this major contemporary theorist.

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