Mezz Mezzrow was a white Jewish boy who learnt how to play saxophone while he was in reformatory school. He was one of the first white musicians to dedicate himself to jazz (as a saxophonist, a manager for Louis Armstrong, owning his own record label and he was also one of jazzs most famous drug dealers) and crossed the racial divide in 1920s America to make himself part of black culture. In Really the Blues he describes the underworld of 1920s and 30s America, from New York to Chicago and New Orleans. Mezzrow captures the atmosphere of the brothels, bars and honky-tonks, as well as the oversized personalities of those musicians he played with; from Bessie Smith and Sidney Bechet to Fats Waller and Louis Armstrong. Written in the slang of the jazz underground, Mezzrow introduced the world to words such as hipster, groovy and high. It is one of the great music autobiographies (and its influence has been felt for decades, Tom Waits still credits it as a major influence on his own life and work). Mezz Mezzrow was the literary pioneer for the Beats, hippies and every writer since who has written about the music that has moved their generation to rebellion or joy.